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	<title>Free Electronic Circuit Schematics &#187; Hi-Fi Audio Preamplifier</title>
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	<description>Circuit diagram for Power supply,Battery Charger,Power amplifier,Inverter,Converter</description>
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		<title>Hi-Fi Audio Preamplifier Circuit With TL072 opamps</title>
		<link>http://www.free-circuit.com/hi-fi-audio-preamplifier-circuit-with-tl072-opamps/</link>
		<comments>http://www.free-circuit.com/hi-fi-audio-preamplifier-circuit-with-tl072-opamps/#comments</comments>
		<pubDate>Thu, 04 Mar 2010 12:48:14 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Amplifier]]></category>
		<category><![CDATA[audio amplifier]]></category>
		<category><![CDATA[Hi-Fi Audio Preamplifier]]></category>
		<category><![CDATA[Hi-Fi Preamplifier]]></category>
		<category><![CDATA[Hi-Fi Preamplifier circuit]]></category>
		<category><![CDATA[TL072 opamp]]></category>
		<category><![CDATA[TL072 opamps]]></category>

		<guid isPermaLink="false">http://www.free-circuit.com/?p=518</guid>
		<description><![CDATA[For a complete HI-FI amplifier (with EQ and) with the possibility of PCB mount pots is something I have avoided, as are the pots that are available in different parts of the world, necessarily compatible. Due to popular demand, this project has been developed (with a complete PCB) to fill the gap in the creation [...]]]></description>
			<content:encoded><![CDATA[<p>For a complete HI-FI amplifier (with EQ and) with the possibility of PCB mount pots is something <a href="http://www.free-circuit.com/wp-content/uploads/2010/02/p97-ra.jpg"><img class="alignleft size-medium wp-image-521" title="p97-ra" src="http://www.free-circuit.com/wp-content/uploads/2010/02/p97-ra-300x68.jpg" alt="p97-ra" width="300" height="68" /></a>I have avoided, as are the pots that are available in different parts of the world, necessarily compatible. Due to popular demand, this project has been developed (with a complete PCB) to fill the gap in the creation of the PTA to provide.</p>
<p>The amplifier is very easy to get on the board, and an innovative tone defeat. Rather than disabling the sound system completely, they are massively de-sensitized, and defeated the  have a maximum range, . This can be increased if desired, so that you can have two settings of tone, a rising standard of 10 dB and a cut and the other with a very subtle 3dB boost and cut &#8211; that&#8217;s enough (surprisingly) a very minor adjustments to the way you need for day-to-day hearing.</p>
<p>Otherwise, the design is fairly conventional, with a great advantage over other models that require almost no cable. Transfer of the source is as you want &#8211; I suggest you bring a rotary switch on the rear of the enclosure, and a shaft extension with the tree in front. This leads to a minimum of wiring and reduces crosstalk from other active inputs.<span id="more-518"></span></p>
<div id="attachment_519" class="wp-caption alignright" style="width: 310px"><a href="http://www.free-circuit.com/wp-content/uploads/2010/02/Pre-amp-Hifi-circuit1.gif"><img class="size-medium wp-image-519" title="Pre-amp Hifi circuit1" src="http://www.free-circuit.com/wp-content/uploads/2010/02/Pre-amp-Hifi-circuit1-300x213.gif" alt="Picture 1 - A and tone controls " width="300" height="213" /></a><p class="wp-caption-text">Picture 1 - A and tone controls </p></div>
<p><strong>Circuit Description</strong></p>
<p>The input stage is shown with a gain of 2 times (6dB), configure and also acts as a buffer circuit for tone control. The tone control is a fundamental type Baxandall, but the addition of R117, 118 and 119 provide the flexibility and ease of reconfiguration, which is not the traditional arrangement.</p>
<div id="attachment_520" class="wp-caption alignleft" style="width: 310px"><a href="http://www.free-circuit.com/wp-content/uploads/2010/02/Pre-amp-Hifi-circuit2.gif"><img class="size-medium wp-image-520" title="Picture 2 - A and tone controls " src="http://www.free-circuit.com/wp-content/uploads/2010/02/Pre-amp-Hifi-circuit2-300x213.gif" alt="Picture 2 - A and tone controls " width="300" height="213" /></a><p class="wp-caption-text">Picture 2 - Balance, volume and output stages </p></div>
<p>R119 is the hard part of this circuit (which is unique, too</p>
<p>- I have not seen before, this technique is used). As it is 100k, which limits the range of tone control to a reasonable + /-10dB. To increase more and cutting, R119 (R219 and receive) can be omitted altogether. Conversely, reducing the value of a small area, will also, with about 6 dB at 20 Hz and 20 kHz to 7.5dB with 22K.</p>
<p>The sound system (and overall) performance is shown in Picture 2 (in increments of 10% of pot), and it appears that the midrange is hardly affected. This is in contrast with the majority of drawings in which the controls are aligned to 1 kHz, and it is a very audible in the media. For those who want absolutely no use of tone controls, I suggest that the  both without tone controls are designed and in line with true minimalist design.</p>

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